My working board is comprised of a number of elements which for all intents and purposes resembles a disparate ransom note: quotes, titles, poetry, scraps of paper, magazine articles, line drawings, postcards, vintage maps, cards and stamps (an addiction), photographs of textures (another addiction) and travel keepsakes. From this menagerie of elements I create assemblages and encaustic collages. By going back to the beginning, I am able to affirm my direction and to stay focused ~ I learn to see with a new perspective. As Lillian Hellman in Pentimento said, “perhaps it would be well to say that the old conception, replaced by a later choice, is a way of seeing and then seeing again.” ~ Excerpt from Maine Arts Journal Winter 2019 “Sketchbooks”
- MS from Maryland says: "Your assemblages are particularly strong. I love the detail and cleanness of the small pieces, intimately put together in Two Perspectives and One Vanishing Point. It is somehow very soothing." ~ MSFrom a visitor in the Brunswick Outdoor Art Festival: "Your assemblages remind me of that Joseph Campbell guy (Cornell) ~ you know that hermit who lived in his mother's basement all his life...."
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